If you are someone experienced with collecting good artwork, you know how fragile the pieces can be. Unless they are meticulously cared for, they can suffer serious and, sometimes, irreparable damage. Although restoring damaged work is possible, it is easier and less expensive to use simple measures to preserve their integrity. Professional conservators and restorers agree that understanding conservation can minimize the need for the kind of art restoration New Jersey artisans provide.
One of the most common mistakes restorers see, and one that is easy to avoid, is improper matting. Mat material should have a neutral or alkaline Ph content. The artwork should never to glued, taped, or otherwise mounted to the board. Mat burn occurs when mats, made of improper materials, are affixed to paper works, such as watercolors. Pieces that are not adequately protected from sunlight will fade. Too much light can also cause structural damage to the mat.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Some of these same rules apply to oil and acrylic paintings. They should be kept from direct sunlight and, although they are not preserved behind glass, they should not be adhered to the frame in any way. Keeping a painting in the original frame is the best idea. Even if it doesn't exactly go with your room style, you might reduce the overall value of the work by replacing the frame. This is especially true when the frame was chosen by the artist.
One of the easiest ways to damage a piece of art is by using inferior materials to hang it. Paintings that are not properly secured to a wall can fall, which may cause significant damage. It is not a good idea to purchase standard frames that have either metal fasteners or string for hanging purposes. You need wire stretched across the back of the frame secured with d-rings.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
Free standing artwork has its own set of issues. When they are in an area of high traffic, they may be knocked over and broken. Keeping them behind glass, or on a stand in a large room, is a better idea.
If you are a lover of fine works of art, you will probably be diligent about preserving them. There are simple, inexpensive things you can do to provide a safe environment for your pieces. Artwork, properly conserved, can last indefinitely.
One of the most common mistakes restorers see, and one that is easy to avoid, is improper matting. Mat material should have a neutral or alkaline Ph content. The artwork should never to glued, taped, or otherwise mounted to the board. Mat burn occurs when mats, made of improper materials, are affixed to paper works, such as watercolors. Pieces that are not adequately protected from sunlight will fade. Too much light can also cause structural damage to the mat.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Some of these same rules apply to oil and acrylic paintings. They should be kept from direct sunlight and, although they are not preserved behind glass, they should not be adhered to the frame in any way. Keeping a painting in the original frame is the best idea. Even if it doesn't exactly go with your room style, you might reduce the overall value of the work by replacing the frame. This is especially true when the frame was chosen by the artist.
One of the easiest ways to damage a piece of art is by using inferior materials to hang it. Paintings that are not properly secured to a wall can fall, which may cause significant damage. It is not a good idea to purchase standard frames that have either metal fasteners or string for hanging purposes. You need wire stretched across the back of the frame secured with d-rings.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
Free standing artwork has its own set of issues. When they are in an area of high traffic, they may be knocked over and broken. Keeping them behind glass, or on a stand in a large room, is a better idea.
If you are a lover of fine works of art, you will probably be diligent about preserving them. There are simple, inexpensive things you can do to provide a safe environment for your pieces. Artwork, properly conserved, can last indefinitely.
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